Last week I popped along to Tatty Devine's Brick Lane store to check out Graham is a Weirdo and Other Stories, a mini exhibition by illustrator. Gemma Correll. I'm quite surprised to realise that I've never written much about Gemma's work here on the blog before, since I've been a fan of her kooky, faux-naive illustration, and especially her drawn daily diaries, and What I Wore Today project for some time.

Apart from her distinctively quirky style, and enthusiasm for cute animal characters (cats! pugs!), what I really like about Gemma's work is the way that she brings images and texts together to create work that tells stories. In fact, in many ways, her work is reminiscent of the children's book illustrators I love - there's a touch of Sara Fanelli, a hint of Oliver Jeffers and a whisper of Quentin Blake about her drawing style.

This small but perfectly formed exhibition is a fun collection of unexpected animal drawings, and comes accompanied by its own zine. (On the day I visited, Graham Norton had apparently also been along to see the show and had been rather taken with one of Gemma's 'Pugs Not Drugs' tote bags!)

If these lovely pictures weren't enough reason to think highly of Gemma and her work, she also has a pug called Mr Norman Pickles and a very enviable studio space. Find out more about her and her work on her website and blog.

Graham is a Weirdo and Other Stories is at Tatty Devine until Monday 1st August.

 [all images by Gemma Correll]

  

I was very pleased to be invited to attend the launch party for Amelia's Compendium of Fashion Illustration a couple of weeks back. This new book is the latest spin-off of the fabulous Amelia's Magazine, which has been on my radar ever since it became something of a cult hit on its first publication back in 2004.  

Published biannually, the magazine, which primarily covered fashion, art, design, music, photography and illustration, always seemed unique in comparison to other art and design titles. Perhaps in part that was because the magazines themeslves were such beautiful, covetable, idiosyncratic objects, featuring everything from exclusive Tatty Devine necklaces to scratch 'n' sniff or diamanté-encrusted covers. But mostly I think the appeal of the magazine came from its individual, quirky feel; its focus on new and emerging talent; and its uniquely personal approach.  And indeed, Amelia's couldn't have been much more personal in its scope, for throughout its 5 year life span, its creator, Amelia Gregory, was its one-woman publisher, editor and art director. She subsequently described it as 'a labour of love'.

Sadly, the magazine itself is no longer in print, but Amelia's still thrives as an online magazine covering art, fashion, music and 'earth' - creative grassroots environmental and ethical projects. It remains hugely popular and is one of Creative Tourist's Top 25 UK Arts blogs. But for me, what continues to make Amelia's so special is its continuing emphasis on showcasing new talent, and particularly emerging illustrators. Rather than the usual press photos, reviews of gigs, exhibitions or catwalk shows on the Amelia's website are instead accompanied by lovely and distinctive illustrations, sourced through open submissions.

It's the same impulse that lies behind Amelia's recent ventures into publishing, in two books: Amelia's Anthology of Illustration, and now the new Amelia's Compendium of Fashion Illustration. Illustrators for these beautiful books are chosen via an open brief, meaning that artists at all levels have the chance to be considered. It's great that there are people out there, operating outside the structures of the publicly-funded art world, championing and supporting new talent, and providing these kinds of opportunities to aspiring artists - and this of course is part of what makes Amelia herself such an inspiration.

The launch party itself was a great event at the newly-converted Scout Hut in Bethnal Green, featuring live music from  6 Day Riot, a huge Lili Vanilli cake, DJ sets from The Pipettes and Will from the Mystery Jets, and lovely goody bags containing all kinds of treats. Yet again, I can only apologise for having no pictures of the party or the book to share, but you can see lots of great pictures of the event on the Amelia's website here, plus (what else but) many illustrations of the guests from some of the illustrators involved in the project.

As for the book itself, it features interviews with the 30 selected illustrators, and in keeping with the 'earth' theme, profiles of over 50 ethical fashion designers. It's available to buy from most art bookshops, or directly from the website here, where it comes with a set of 12 limited edition postcards.

[Image: invitation from Amelia's Magazine]