Amelia's Compendium of Fashion Illustration

  
I was very pleased to be invited to attend the launch party for Amelia's Compendium of Fashion Illustration a couple of weeks back. This new book is the latest spin-off of the fabulous Amelia's Magazine, which has been on my radar ever since it became something of a cult hit on its first publication back in 2004.  

Published biannually, the magazine, which primarily covered fashion, art, design, music, photography and illustration, always seemed unique in comparison to other art and design titles. Perhaps in part that was because the magazines themeslves were such beautiful, covetable, idiosyncratic objects, featuring everything from exclusive Tatty Devine necklaces to scratch 'n' sniff or diamant√©-encrusted covers. But mostly I think the appeal of the magazine came from its individual, quirky feel; its focus on new and emerging talent; and its uniquely personal approach.  And indeed, Amelia's couldn't have been much more personal in its scope, for throughout its 5 year life span, its creator, Amelia Gregory, was its one-woman publisher, editor and art director. She subsequently described it as 'a labour of love'.

Sadly, the magazine itself is no longer in print, but Amelia's still thrives as an online magazine covering art, fashion, music and 'earth' - creative grassroots environmental and ethical projects. It remains hugely popular and is one of Creative Tourist's Top 25 UK Arts blogs. But for me, what continues to make Amelia's so special is its continuing emphasis on showcasing new talent, and particularly emerging illustrators. Rather than the usual press photos, reviews of gigs, exhibitions or catwalk shows on the Amelia's website are instead accompanied by lovely and distinctive illustrations, sourced through open submissions.

It's the same impulse that lies behind Amelia's recent ventures into publishing, in two books: Amelia's Anthology of Illustration, and now the new Amelia's Compendium of Fashion Illustration. Illustrators for these beautiful books are chosen via an open brief, meaning that artists at all levels have the chance to be considered. It's great that there are people out there, operating outside the structures of the publicly-funded art world, championing and supporting new talent, and providing these kinds of opportunities to aspiring artists - and this of course is part of what makes Amelia herself such an inspiration.

The launch party itself was a great event at the newly-converted Scout Hut in Bethnal Green, featuring live music from  6 Day Riot, a huge Lili Vanilli cake, DJ sets from The Pipettes and Will from the Mystery Jets, and lovely goody bags containing all kinds of treats. Yet again, I can only apologise for having no pictures of the party or the book to share, but you can see lots of great pictures of the event on the Amelia's website here, plus (what else but) many illustrations of the guests from some of the illustrators involved in the project.

As for the book itself, it features interviews with the 30 selected illustrators, and in keeping with the 'earth' theme, profiles of over 50 ethical fashion designers. It's available to buy from most art bookshops, or directly from the website here, where it comes with a set of 12 limited edition postcards.

[Image: invitation from Amelia's Magazine]

Going backstage at the Sky Arts South Bank Awards



Last week I was very pleased to be invited to attend the awards ceremony for the South Bank Sky Arts Awards (which I previously wrote about here) at the Dorchester. Along with fellow blogger Jaye Nolan, who writes the blog The Rhythm of Life, I was there as a guest of social media agency Jam, who had invited us backstage to get an inside look at the awards ceremony.

I can only apologise for uselessly taking no decent photographs of the event, though there's lots of good ones over at Jaye's blog. I have to admit that I was just too distracted by soaking up the chaotic atmosphere of the press room, as the award presenters and the winners, clutching their shiny Anish Kapoor awards, duly appeared. It was fascinating listening to the winner's speeches and then seeing how they responded to the (frankly rather intimidating) crowd of journalists with their barrage of microphones and cameras. Some of my highlights included Nigel Kennedy, in facepaint and football shirt, surrounded by a bevy of Bond beauties; the marvellous Victoria Wood discoursing on jigsaws; a cool-as-a-cucumber Ronnie Wood; the fabulous styling of the Noisettes; Rupert Grint chatting happily to journalists about his ice-cream van; and the diminutive Dame Judi Dench wiping away a tear or two.



It goes without saying that I was particularly keen to hear about the winner of the visual arts award, which went to Tacita Dean for Craneway Event (pictured above) her beautiful portait of the American choreographer Merce Cunningham. I know that I was rooting for the less well-established Josephine King to win, but Dean is also a hugely worthy winner. Although probably one of the leading British artists working today, she exhibits relatively rarely in the UK, and surprisingly has never won the Turner Prize, so it's great to see her receiving this kind of accolade for her work. In the press room she commented "It's a great pleasure to win something... I think visual art has grown enormously in Britain over the last twenty years, definitely in the last ten. I'm glad that there's an award show which values visual art on the same plateau as television, as film, as opera, as dance... it's great to have an award like that."

I was also intrigued to hear about the Literature category: this year's award went to the remarkable Candia McWilliam for her non-fiction memoir What to Look For in Winter which details her experience of losing her sight. In accepting the award, presented to her by Mariella Frostrup, she spoke movingly about the process of writing the book, explaining that for her "going blind was another way of seeing."

Other winners included: Plan B for The Defamation of Strickland Banks (Best Pop); Shane Meadows for This is England '86 (Best TV Drama); Gareth Edwards for Monsters (Best Film); Rev (Best Comedy); Clybourne Park at the Royal Court (Theatre); the BBC Phil and the Halle for Mahler's 8th Symphony (Classical); Everything Everything (Times Breakthrough); Akram Khan for Gnosis at Sadler's Wells (Dance) and the Welsh National Opera for Die Meistersinger von Nurnberg (Opera). Dame Judi Dench was the well-deserving winner of the Outstanding Achievement Award, presented to her by Sir Peter Hall.

The day ended with the chance to enjoy the splendid surroundings of the Dorchester accompanied with delicious pink lychee flavoured cocktails, and the opportunity to ogle the celebrity guests' Penhaligons goody bags from a polite distance. Many thanks to Jam and Sky Arts for a great day!

[Images via Sky Arts and Frith Street Gallery]