Tan's exquisitely detailed illustrations in sepia tones evoke old family photographs and histories, creating a powerful nostalgic quality: this could easily be a story from some forgotten lost time gone before. However this hopeful, wistful tale is also peculiarly contemporary on its take on the universality of migrant experience, and the importance of communities and belonging. As Tan himself suggests in this interesting commentary on how the book came to be written, 'we might do well to think of ourselves as possible strangers in our own strange land.'
Friday, 24 April 2009
the arrival
Tan's exquisitely detailed illustrations in sepia tones evoke old family photographs and histories, creating a powerful nostalgic quality: this could easily be a story from some forgotten lost time gone before. However this hopeful, wistful tale is also peculiarly contemporary on its take on the universality of migrant experience, and the importance of communities and belonging. As Tan himself suggests in this interesting commentary on how the book came to be written, 'we might do well to think of ourselves as possible strangers in our own strange land.'
Subscribe to:
Post Comments
3 comments:
Thank you for sharing! I must check it out! The illustrations are so dramatic, yet soft. :) Glad to here you enjoy it!!
shaun tan is awesome.
i used to work in the childrens section of waterstones and was always so sad to see them go because i selfishly wanted to keep them all for myself.
Love these illustrations
Post a Comment